Sunday, July 31, 2016

July picks

I thought July was going to be a down music month, but when I sorted through it all, July turned out to be another heavy hitter for 2016 -- another great month for Spunk Rock!

Below are my top selections. A usual, you can enjoy a condensed summary of this fine month by following either the Spotify (audio) playlist and/or the YouTube (Video) playlist.

Spotify Playlist:
https://open.spotify.com/user/fluid3sally/playlist/4a9VhMtvX2ZjUiVPXoUzDN

YouTube Playlist:
https://www.youtube.com/playlist?list=PL5-H-9C1SLfdNmOdvJLGh7dj-_ibNYw_u



top selections:

Fea - Fea
A next generation riot grrrl band with explicit and powerful feminist messaging. Fea has made a strong debut. I can't say I like this sound as much as Girl in a Coma, but it stands on its own. Pointing out similarities to Beth Ditto and Kathleen Hanna may be unnecessary, but I consider it high praise.
video: https://www.youtube.com/watch?v=fv4yHCASirU

Fantasia - The Definition Of...
This record brings a much-needed jolt of funk and beat back into spunk.
video: https://www.youtube.com/watch?v=fmqHFM5796g

Asylums - Killer Brain Waves
This record surprised me.. in a good way. The Spunk is strong with this one; a strong debut. Score +1 for London/UK in the running for spunk capital of the world.
video: https://www.youtube.com/watch?v=n0zSQ9ePEa0
  
Jeff Beck - Loud Hailer
ok I did not see this one coming. Jeff Beck is known mostly for his 60's work in the Yardbirds, but this one sounds modern and fresh. Great guitar works, great songs.
video: https://www.youtube.com/watch?v=Ujz-c_nDWHA

Viola Beach - Viola Beach
a funky and groovy indie masterpiece, good for a listen when in a lighter mood. It is a tragic shame there will not be any more from this band.
video: https://www.youtube.com/watch?v=XTWtmvBFi84

The Julie Ruin - Hit Reset
If I have to tell you who Kathleen Hanna is, you won't know why this an anticipated record. If you do know, then you know. so I'll shut up now.
video: https://www.youtube.com/watch?v=CWqR0w9ohN8

Delta Goodrem - Wings of the Wild
I'm not sure, but this may be VH-1 pop. somehow, I like it anyway.
video:  https://www.youtube.com/watch?v=OFsmz9SpZHE

Shura - Nothing's Real
video: https://www.youtube.com/watch?v=j0W4jNwtMvA

The Avers - Omega / Whatever
video: https://www.youtube.com/watch?v=lj9NCXg1WkM


Brave Girls - High Heels
video: https://www.youtube.com/watch?v=a_0GkKQ_nzc

singles
  • Hands Off Gretel
  • The Pretty Reckless
  • Dorothy
  • Stonefield
  • Sleigh Bells
  • Wild Beats 
  • Pixies

Heavy
9electric - saw these guys open for Stitched Up Heart. Live, they made a fan of me.
hed(pe) - I used to like these guys a lot more than I do now.




Oops, I missed it.
these are records from previous months that I missed in the month of their release.. better late than never...

Evans the Death - Vanilla
very spunky in a tight noise-grrl-rock way. London at it again.. 
video: https://www.youtube.com/watch?v=MX8VcqY8qts
 
Larkin Poe - Reskinned
are these the new Dixie Chicks? cuz that would be cool! wait, no, I take it back, these ladies are way grungier than the dixies, and I mean that in a great way. Tour dates posted for US and UK.
video: https://www.youtube.com/watch?v=JE8s3wbb1_0

The Amorettes - White Hot Heat
Not sure how I missed this back in may. kick ass! Does Scotland count as +1 for London/UK region? That might be a bit of a stretch.
video: https://www.youtube.com/watch?v=R0zMQSGjvO4

G.L.O.S.S. (Girls Living Outside Society's Shit) Demo 2015
trans-grrl punk from Olympia. somewhere near the intersection of Born Against and Bikini Kill
video: https://www.youtube.com/watch?v=feDpatxFH6Y



Close, but nope.. 
some new stuff from artists I respect, but didn't quite do it for me this time around..
  • Amanda and Jack Palmer
  • Frank Zappa 
  • Aphex Twin
  • Descendants
  • Heart

Monday, July 4, 2016

Best New Records of 2016.. so far

At the end of June we will be half way through 2016. And so far it has been a great year for rock'n'roll. Here's hoping that trend continues.

Here is my list of stand-outs for the year so far.

1. Cilver - Not the End of the World

2.  Against the Current - In Our Bones

3. Tonight Alive - Limitless

4. White Lung - Paradise

5. Band of Skulls - By Default

6. Stitched Up Heart - Never Alone

7. PVRIS - White Noise

8. Magic Wands - Jupiter

9. Dorothy - RockIsDead

10. Ladyhawke - Wild Things

11. Superbus - Sixtape

12. The Struts - Everybody Wants

13. The Joy Formidable - Hitch

14. Thrice - To Be Everywhere Is To Be Nowhere

15. Red Hot Chili Pepers - The  Getaway

16. Evarose - Invisible Monsters

17. Garbage - Strange Little Birds

18. Tegan and Sara - Love You to Death

19. Letlive. - If I'm the Devil...

20. Incognito - In Search of Better Days

21. Lita Ford - Time Capsule

22. Layla Zoe - Breaking Free

23. Soto - Divak

24. Summer Cannibals - Simple Life

25. School of Seven Bells - SVIIB



Sunday, June 26, 2016

June Selections

Another month with a lot of good records. There seem to be some prevalent themes.. lots of dirty garage rock, soft electro-rock, and metal/hard rock.

As usual, I offer a Spotify playlist with 1 or 2 samples from each selection, here:
https://open.spotify.com/user/fluid3sally/playlist/5vC902x8p6oxdPX9aMZzOc

new this month, I offer also a YouTube playlist, with 1 video from each top selection.
https://www.youtube.com/playlist?list=PL5-H-9C1SLfcMImiUsyYNBlJkaB69SmLt

Also, you can find the youtube link for each song throughout this post



Dorothy - RockIsDead
debut album from LA spunkers. dirty and diggin it
video: https://www.youtube.com/watch?v=AW4vejDcVe8


EvaroseInvisible Monsters
from UK, second full-length. rocks your heart out.
video: https://www.youtube.com/watch?v=NzAkYSS5jsE


Ladyhawke - Wild Things
The highly anticipated 3rd record from down-under (New Zealand) multi-instrmentalist and song-writer Ladyhawke. good songs, good sounds.
video: https://www.youtube.com/watch?v=gUwAnVX2ylc


Tegan and Sara - Love You To Death
I've not been a big Tegan and Sara fan in the past. Perhaps I was missing out, because this one is sounding really good.
video: https://www.youtube.com/watch?v=HJOHoiPGpac


Superbus - Sixtape
really cool pop tunes, some lyrics in French. Not on Spotify yet, so I added an older one.
video from the new record: https://www.youtube.com/watch?v=EITjoqGx168



Death Valley GirlsGlow in the Dark
dirty garage rock. somewhere near the intersection of Dum Dum girls and Erase Errata
video: https://www.youtube.com/watch?v=LKDiOqzNyfg


Rival Sons - Hollow Bones
video: https://www.youtube.com/watch?v=93KFbeGzQAc


LetLive. - If I'm the Devil
video: https://www.youtube.com/watch?v=4_xsklXWzEQ


Garbage - Strange Little Birds
not what I had hoped.
separate review here: http://joelspunkrock.blogspot.com/2016/06/new-record-garbage.html
video here: https://www.youtube.com/watch?v=hSa_hbutFt0



Red Hot Chili Peppers - The Getaway
an obvious choice, but a good one. this record has some phat beats and funky base.
video: https://www.youtube.com/watch?v=Q0oIoR9mLwc


Incognito - In Search of Better Days
funk with roots in the late 1970's. a good time.
video: https://www.youtube.com/watch?v=aLpJVE2Z9bY



Broods - Conscious
video: https://www.youtube.com/watch?v=LDsxtBVLyss


The Interrupters - Say it outloud
ska band from LA; second full-length. I'm not impressed by this band's sound.. formulaic like so many ska bands before. But I do like her smoky voice... enough to earn a spot on the month's playlist.
video: https://www.youtube.com/watch?v=yEwCe679DUI


Singles
  • Deep Valley
  • Chvrches - featuring Haley Williams of Paramore
  • the Strokes
  • She Makes War
  • Beck 
  • Fea
  • Cafune - I missed their new single in May, so it is included here.
  • Icon for Hire has some new songs this month. I'm waiting to receive the full record in December before I say much more about that.


Heavy: 
6 good finds for the metal-head in me -- that's a lot of metal!
  • Beartooth
  • And Then She came
  • Secret Rule
  • Jorn
  • Scorpion Child
  • Stitched Up Heart 



Close but nope:


Neko Case, K.D. Lang and  Laura Veirs - This is a collaboration among some big names. Neko Case from the New Pornographers, K.D. Lang was famous for some song when I was young and Laura Veirs, a prolific song-writer. I was not impressed by this record, but if you like mellow singer/song-writer folk music, I can see how this might appeal.




Saturday, June 11, 2016

New Record: Garbage

Garbage: Strange Little Birds

Garbage is a major player in the Spunk Rock universe. Their 90's work produced 2 classic records at the intersection of pop-rock and electronic rock with clean production and strong vocals. Their 2012 come-back was a definitive spunk classic. I have been looking forward to this new one all year. I was expecting it to be one of the best of 2016... now I'm not so sure.  

The first track is a total skipper. I don't why you would start a record this way. Put this at the end, if you must. Tracks 2 and 3 at least sound like Garbage, but they don't really deliver anything beyond what we've heard before. Magnetized has some cool sounds and might make the 2016 playlist.

The elements of the classic Garbage sound are there, but the songs just don't quite pull it all together to shine. Several of these songs sound like outtakes from the 2001 era of "Beautiful Garbage."

Overall, I would not say this record is bad.. it's just not as good as I hoped. By average band standards, I think this record would be interesting. By Garbage standards, I'd say sub-par. If you are a big Garbage fan, I would still suggest you give it a try and see if you agree. If not, I suggest to start with their 2012 masterpiece "Not Your Kind of People."

Garbage was the last band I expected to make a record of garbage. This one may have a few tracks that will grow on me, but I don't expect to be rocking it the whole way through like I was back in 2012. Too bad.

Friday, June 3, 2016

Feminism and Humanism

Warning: this post only briefly touches on music themes.

Fundamentally, feminism derives from humanism. It is a subset of humanism. Gay rights would be another example. But feminism addresses something more specific than humanism does. Feminism addresses a social bias, or many small social biases.  Were there no bias, there would be no need for feminism. But, unfortunately, we are far from that ideal, and feminism is quite relevant

Personally, I don't often advertise myself as a feminist. I prefer to be silent on that, and let my actions speak louder than words. My wife calls me a feminist, which is the way I prefer it. I don't promote myself as a feminist, but women who know me well do. I feel like if I promote myself as a feminist, that is a lot to live up to. Like "oh do you go to rallies?" no. not really.

I treat women with respect. And when I see things in society that are biased against women in a fucked up way, I point it out. I might get visibly upset about it. I try to be conscious subtle biases in my own mind as well.

A quick story.. I was a the Sleater-Kinney show in New York City at Irving Plaza in December 2015. After waiting is a line around the block people were asked to queue up into two lines, his and hers. Well, with the demographic at a Sleater-Kinney show, this did not result in two equal line. Guys were able to shoot to the front of the line, and women who were near the front were now behind. In the
male line myself, I tried to stall. I was ordered to go ahead. I continued to stall until dumb-asses started passing me by. Tall dumb-asses. This upset me. If you've been to a Sleater-Kinney show, you probably know fans are competitive for real estate near the stage. It seems the guys could at least wait until the people (women) who were in fuckin front of them before had entered. And then also consider that a lot of us are taller. I'm 6 feet tall. At most Sleater-Kinney shows I can be two or three rows back and still feel like I'm near front because I'm taller than most of the people in front of me. Don't get me wrong, I don't want to be at the back, but one or two rows in front of me are ok. This upset me, not just because the venue had a fucked up practice, but more so because my SK brethren did not side with me. I felt like some one was not paying attention.

When you look, you see things like this all around. One common instance is the work place.
I'll digress for a moment on that. I work in an office space. I try to be conscious of the subtle biases that can make the work environment hostile, or at least, less friendly, to those around me. For example, I try not to think about a female manager as "agressive" or "witchy" for the same behavior that would be strength in a man. I see this sometimes. Female executives walk a tight rope.. to be competitive with their peers, and not be "shrill" or "pushy", or, my pet peeve, "bosy". Sometimes, office-place banter rubs me the wrong way, like I hear a joke and think "was that subtle
homophobia?" and sometimes I can diffuse that by throwing in the old Seinfeld line "Not that there's anything wrong with that". As in, "yea, she's a competitive manager.. not that there's anything wrong with that." When I'm conscious of things like this, I view that as feminist thought. A humanist may or may not think that way, depending on her level of awareness. Feminism then, for me, is about awareness. It's about exposing this sort of bias and challenging people to think bigger. In some cases it also means calling myself on my own biases (yes, I have those too).

And then there are not-so-subtle biases. There is an obvious need for more women in positions of political power and in science, technology, and math fields. So I think we need special programs that help women develop those skills from a young age. I've written elsewhere about the biases I see in rock'n'roll. So I think a rock camp for girls is a good thing.

I'm not in favor of feminism against men. I don't think many real feminists are (probably none).
I'm a straight white boy myself, so I benefit from a lot of the biases in society. In fact, I can go further then that, I personally am: male, white, heterosexual, cis-gendered, middle-aged, able-bodied. I'm even tall and right-handed. Sometimes I feel like that puts me in a position where I should speak up. Like, it shouldn't always be the minority group that has to speak up for themselves. Sometimes, the rest of us, those who admittedly benefit from the inequality, should speak out and say "that's fucked up."

If, for example, gay people want to speak up for their right to marriage, then certainly, they should. But they shouldn't have to, or at least, they shouldn't be the only one. The rest of us too should speak "that's fucked up. not ok"

The part that is feminism is the recognition that there is currently a flawed playing field and the willingness to take action to address that. Humanism will get you to this point also, but there are two more steps, which are recognition and action. Once you get to that point, I would argue that the word "feminist" applies. If, on the other hand, you feel like the word is too loaded, or too vague, or if you prefer the word "humanist" I would not fault you for that. In some ways I do the same myself

so on humanism then..

I do claim to be a humanist. that is my go-to answer if people ask about religion (this doesn't happen often, but it does happen, especially when I used to live in the south-eastern USA.) Humanism for me means simply that I start from a premise of human value, and derive beliefs from there. I joke that humans may be lower than gods, but at least I can prove humans exist. If you accept the premise of human value, then it follows that care for the environment is important, because the fragile
ecosystem of planet earth is humanity's only home. I embrace the human experience, for better and for worse, and I pursue the better, seeking to reduce the suffering. that doesn't have to stop with humanity, I think basic human decency also reduces unnecessary suffering for life in general, including animals.

When I talk about humanism, it is a core principle of a larger world view, and "humanism" is a handy verbal handle to put on an otherwise abstract concept. I also reserve the right to define what humanism means to me, because that is a diverse philosophical school of thought, and I don't endorse it all.

From humanism stems feminism, and other "isms" you could name. Gay rights are human rights. But there IS a need to call out gay rights specifically, because there are specific biases in our culture and our laws.

If I'm offered humanism as an alternative to feminism, I might take issue with that. That can marginalize the importance of awareness. As an analogy, if you say the slogan shouldn't be "black lives matter" but rather "all lives matter." ..that seems true on the surface. But the problem is it marginalizes the fact that we do have systematic legal discrimination against black lives, that, unfortunately, all too often results in the loss of life. If you want to stick with the generic
concept of humanism at the exclusion of feminism, then I would argue that you are not seeing the pattern.

Yes, it would be nice if there were no role for feminism. If all we had to say was human rights and dignity for all. where all means all. But as long as these basic inequalities exist, feminism and similar ideas remain relevant.


Saturday, May 28, 2016

May Flowers


 WOW! A lot of great tunes bloomed this month. As usual, I begin with a playlist with picks from this month's coolest new records.
https://open.spotify.com/user/fluid3sally/playlist/0V4AZuytcUwRA1HafeaU0e



Top Picks: May 2016


Against the Current - In Our Bones
A rising star in the spunk rock universe. This is a young band from Poughkeepsie NY USA. Their debut full-length features many great songs with dance beats, pop hooks, and rockin' song structures. They are not a heavy band and that works for them. Song writing is excellent and every song is a pleasure to listen to and dance along. This will definitely have a place on the best-of-2016 list. On the Warped Tour this summer.
listen:
https://www.youtube.com/watch?v=bcvuYNhfj-c
https://www.youtube.com/watch?v=ya-SzODPFVc


Band of Skulls - By Default
A strong, spunky contribution from a newer band (formed 2008 in England). Will also have a place of 2016 best-of. Not to be confused with Band of Horses, who also had a new song this month. I do not recommend Band of Horses, unless you like fart-knocker, in which case, check them out and enjoy. Band of Skulls, on the other hand, will likely be inducted into the Spunk Rock hall of fame.


White Lung - Paradise
This is a cool record with a distinctive sound. A little spazz-rock held together by tight playing. Fourth full-length. From Vancouver.


Thrice - To Be Everywhere Is To Be Nowhere
I thought I knew the band Thrice, but I must have been confusing them with someone else. I was expecting something punky and formulaic somewhere between Thursday and Taking Back Sunday. I was mistaken. This new record is fresh and rockin' with great vocals and powerful riffs. A refreshing find.It looks like they had about 4 records before this one, which means... big find of new great tunes to save for a rainy day. Add these guys to the long list of spunk rock champions from SoCal.


Summer Cannibals  - Full Of It
Portland locals deliver a fresh take on the classic Kill Rock Stars sound.. somewhere near the intersection of Bangs and the Thermals. Part of a pattern I am calling Riot Grrl: the Next Generation. Second full-length. video below.
https://www.youtube.com/watch?v=11-mXYVZWh8


Kristin Kontrol - X-Communicate
A walk on the lighter side, Dee Dee from the Dum Dum Girls brings a clean-cut sound to Sub Pop, and I mean that in a good way. This is nice listening. Recommended for fans of Ladyhawke and Uh Huh Her and Dum Dum Girls (of course).


Sithu Aye - Set Course for Andromeda
some math rock, if you're in the mood for something different


Tanya Donnelly - Swan Song Series
You might remember her from such 80's/90's bands as Belly and Throwing Muses. This new one is very soft. I rarely recommend something this soft, but there are some good songs here.. if you are ready to relax.


Robin Trower - Where You Are Going To
a cool new record from a blues legend.. and I ain't talkin' about Clapton.




The VirginMarys - Divides
The British invasion never ended


Andy Black - The Shadow Side
from Black Veil Brides



Singles
  • Chvrches
  • Ladyhawke
  • American Authors 
  • letlive.

Heavy
some good stuff coming from the rough and heavy end of the spectrum
  • Issues
  • Saliva
  • Pierce the Veil
  • Saosin

old-timer's list:
Bob Dylan, Tom Petty, Eric Clapton all had new records on the same day.


Catches. 

OOPS, I missed these records earlier this year. Better late than never. 

Haelos - Full Circle
This one landed in March and I missed it.  some soft, moody, electronica with heart. good for chillin and sippin'. somewhere near the intersection of Magic Wands and Portishead.

Bananarama
April 29 was the new Cilver. and several other cool records. Amidst all the coolnes, I didn't notice a new release from an 80's bubblegum group like Bananarama. But yea, there was a new one from them. Pretty cool.



close but nope:

the Duke Spirit
I enjoyed the first two records by this band at the time. when the third one came around, I thought it was pretty good too. This month they released their 4th full-length, and it hasn't left much of an impression on me yet. Perhaps I'll give it another try someday, but for now, pass.

Eric Clapton.
Not a bad blues record, but not a very good one either. Low energy and formulaic. I could imagine BB King doing something like this 50 years ago. If you just want more blues  in your life, this might be for you. Otherwise, see Robin Trower above.

Cyndi Lauper
I was digging this at first, but the country twang drove me away. I would not have guessed this was Cyndi Lauper, but my wife did.

Friday, May 13, 2016

New Record: Radiohead

Suck Alert! new Radiohead  - A Moon Shaped Pool.

Pass on that. Damn it Radiohead! WTF is this?

Radiohead has made some really cool records over the years.They've made creative use of sound. I always found Thom Yorke's dead-pan singing style to be a little out of place in a rock band (I've made similar comments about Muse) but instrumentally they've done some cool stuff.

Don't get me wrong, I never thought they were the best band, but I expected something at least creative with some rockin'. And yes, ok, I guess this one is creative. But damn, liven it up man!

I like a lot of experimental music and "prog" because a lot of that stuff is really interesting and exciting. This is boring and uninspired. If I went to see these guys now, I would expect to be seated. Maybe do a golf clap. And if you're a fan of seated music, you might hear something I'm missing. But I don't see myself relaxing after a long day and chilling to this $hit either.

On a scale of spunk to suck, I give this one a suck

I'm now listening to Pablo Honey and pouring out beer for my dead homies. RIP the kick-ass Radiohead.


Saturday, April 30, 2016

April showers

April Showers: best of April 2016

Musically, this month started somewhat dry, but later in the month.. well.. when it rains it pours. Here are the highlights. (caution: a lot of heavy selections this month)

Playlist sample of the records below (open in Spotify)
https://open.spotify.com/user/fluid3sally/playlist/67POqBjeaOySv2ujm3Fy4E


Cilver Not the End of the World
The biggest thunder dropped on April 29 with Cilver's debut. Separate review here:
http://joelspunkrock.blogspot.com/2016/04/new-record-cilver.html


PVRIS White Noise
Another very strong record this month was the sophmore release from Boston's PVRIS. They are on tour now and tickets are selling out. Recommended for fans of Metric, Yeah Yeah Yeahs, Of Verona. Note that the first two songs start slow, and the pace picks up with track 3. Great throughout. I think it is pronounced like Paris, France.


Mike and the Melvins Three Men and a Baby
The Melvins were one of the definitive Seattle grunge bands.. of the pioneers of that sound in the mid-to-late 1980's. This time joined by Mike Kunka formerly of GodHeadSilo. Unlike most bands from the early grunge era, they have stayed active over the years, playing shows and releasing new material most years. This record has the classic sound, and it is good to hear that fresh and now.


Haken Affinity

A very solid collection of beats and song structures here. The word "prog" comes to mind. Recommended for fans of Rush and Muse


Niki & the Dove Everybody's Heart is Broken Now
Take a walk on the lighter side with this one. Cool, funky beats, and catchy songs. Good for a dance party.


Sixx:A.M. Prayers for the Damned
starts with "Rise" as the opening anthem. Hard not to like this.



SOTO Divak
Jeff Scott Soto and company lay down some solid hard rock. Toward the heavy end of the spunk spectrum, but with good vocals (not sreamed) it is worth it.


Willie Nile World War Willie
For fans of Bob Dylan and Bruce Springsteen. That should be praise enough.


Black Mountain IV
some indy, synth-laden, space funk. I can dig it.


Coathangers Nosebleed Weekend
Part of a pattern I am calling Riot Grrl: The Next Generation. Recommended for fans of Bratmobile and the Dollyrots


Ayria Paper Dolls
Electronic beats with lovely vocals.





Singles (Refer to playlist)
  • Letlive.Good Mourning America
  • Pierce the Veil 
  • The Hearts: Lovers Drug 
  • Kristen Kontrol
  • Claire Maguire
  • The Kills
  • Contact
  • Little Mix
  • Bahari






Noteworthy:

PJ Harvey - a well-respected artist among people with musical tastes similar to mine. However, I could never really get into PJ Harvey. This album is no exception. Boring. Next.

Deftones: Another band that has been popular among people with music tastes like mine for many years now. It always sounds monotonous to me. Dido here.

Black Stone Cherry: Some good spunk attempts. Not quite there for me yet.

Babymetal: Interesting because they are little kids. Otherwise too formulaic.

Lacuna Coil: an outstanding metal band. In the past, they have had some good songs with singing vocals. Unfortunately, here they are found screaming too much for my ear.

Black Peaks: This band has spunk appeal, unfortunately the growling turns me off.

Aesop Rock: a wordy rapper. some good stuff, but the lyrics feel forced to me, and don't really "flow" easily. As a result, these songs are hard to listen to more than once.

Rob Zombie: sorry, the vocals  here are too ugly for my taste




















New Record: Cilver

New Record: Cilver Not the End of the World.
Release date 29 April 2016

















Cilver dropped their debut record yesterday the way that mother nature drops thunder from way up above. The vocals are passionate, determined, and very strong. Riffs are choice and spunky, big booming bass and thunderous beats -- everything you could ask for in a hard rock band. Every song is a keeper, every song has its own memorable personality. The only thing better than the song playing now is the song coming next.

This is definitely one of the best new bands I've found lately, and one of the hottest on my to-see list. I'm currently looking forward to catching them at a festival in upstate New York with fellow spunk rock legend Halestorm.

I mistakenly counted this record as new in March, I think I was confused about the release date. No worries though, there is enough ass-kicking here for more than 2 months. This is easily the best record of April, likely the best so far this year, and I'd say it is now the record to beat for #1 in 2016.

bonus: score +1 for New York City in the running for Spunk Capital of the world.

see also best of April:
http://joelspunkrock.blogspot.com/2016/04/april-showers.html



Saturday, April 9, 2016

One Feminist's thoughts on "chicks in rock"

Why Is This Still A Thing?

From the numbers, it is highly likely that I have a bias towards female vocals. (check out my LastFM library http://www.last.fm/user/FLuidXsaLe)

But here is the thing with that. Suppose I told you I was into Classic Rock. You might ask what sort of Classic Rock? to which I might  respond something like: Stones, Beattles, Hendrix, CCR, Zeplin, Sabbath, Aerosmith, and some more recent classics like Nirvana, Soundgarden, Pearl Jam, NIN, Tool, etc.

Now if I gave a list like that, would you count it all up and observe... "All male vocalists? what's up with that?" I doubt many would ask that question.. and even fewer out loud. Most would think, yep, that's some good old-school Rock-'N'Roll. So is it remarkable that my list includes lots of women?

Now here's the more telling question... is it remarkable that so much popular, radio-type hard rock is not skewed female?

Could it be that some of us have an expectation of an archetype Rocker? It seems likely to me that some (bigger) record companies have that bias. I imagine record executives walking around a rock-n-roll festival thinking "what are these girls doing on stage and when does the show start?" Of course, record execs are not really that oblivious, but I think there is a much more subtle bias that, effectively, works the same way. I mean how, in this day and age can a person so versed in rock and pop music as a journalist, ask a question like "What's it like to be a girl in music?" or "Why did you choose to be in an all-girl band?" I mean WTF kind of question is that? Successful female musicians are all around us, and have been for years. But yet, I have heard Carrie Brownstein point out those very questions posed for real. See her book Hunger Makes Me a Modern Girl here

http://www.amazon.com/Hunger-Makes-Me-Modern-Girl/dp/1594486638/ref=sr_1_1?s=books&ie=UTF8&qid=1460220391&sr=1-1&keywords=carrie+brownstein

I'm sure the Sleater-Kinney shirt line "Show me your riffs" is inspired by morons shouting "Show me your tits".

Now I hear Ariel point it out. And I've read articles where Siouxie talks about playing festivals, where the majority have not yet heard Dead Sara... chants like "take it off". How by the end of the set, they've made fans of most of the crowd, but still there is a startup cost.. still have to prove oneself. Carrie talks about the feeling that they had to prove themselves, in the culturally progressive Pacific Northwest, no less. Carrie has pointed out in the book, and other interviews, that the question "why did you decide to be in an all-male band?" has probably never been asked.. until now. I'm pretty sure Tobi Vail from Bikini has asked that question, or maybe she was joking, I'm not sure.

So strangely, being a woman in rock somehow is a thing. I'll suggest that to Jon Oliver as a segment, how is this still a thing?


What about the use of sexually provocative videos and stage shows?

Another feminist issue in music. So what to make of musicians like Miley Cyrus twerking? Or Madonna's Sex picture book? What about Revolver magazine, and the "Hottest Chicks in Hard Rock" calendar? 
http://www.revolvermag.com/news/get-your-copy-of-the-2016-hottest-chicks-in-hard-rock-calendar.html

There may be some subtle sexism at work there.

But it is not the woman singing who is in the wrong. The sexist culture is in the wrong.

If she chooses to exploit that bias to get her and her band noticed, I have no objection and I will not slut-shame her for it. How far a musician goes in that direction is one's own choice. That doesn't bother me.

What bothers me is the thought that she might need to. It is a bit like pop culture people are walking around at the music festival saying "what are these girls doing on stage? and when does the show start?" Ok so you probably have not heard that exactly, but what about this similar line: "rock is dead" or "Main stream rock is not what it used to be." Even after adjusting for the obvious bias that comes with old age (nostalgia for one's own youth), even beyond that, why are so many awesome Rockers minor stars while fart-knockers like Coldplay, Bruno Mars, and Nickelback are so damn popular? What's up with that? I think that we, as a general society, have a subtle bias, an expectation of a male archetype. Sure, plenty of men will exploit sexuality to be heard. It would be nice if both men and women didn't feel like they have to - to be heard, or taken seriously.

So, what to do about it?

It is impossible to live without bias. Our minds work that way. But bias can be corrected by simply being aware of it. The first step to that is pointing it out.

REL, Jump, and the Icon crew have pointed it out nicely, check out their video here:
https://www.youtube.com/watch?v=Z9fGKx7yzF4

The thing with sexism is that it is subtle by nature. It is not likely you will see an executive job description that says "women need not apply." But yet there are more CEO's named John than there are women CEO's.  You'll never find a payroll spreadsheet where female paychecks are assigned a 0.7 multiplier. But that's only because we've fought through a lot of the obvious ones, like the right to vote. So sexism, when it happens now, is subtle.

When I see tags on lastFM like "female vocals", I do see a subtle bias behind it. Likewise when questions are asked like "What it like to be a girl in the music world?"

From there, what-to-do-about-it   -   Is wise up.    pay attention. And check out some music off the reservation of pop culture. I will be happy to make suggestions.

Why I Use Spotify

Many of my posts include playlists so you can sample the music I'm talking about. These are on the music streaming service Spotify. To get the best use of the Spunk Rock blog, I suggest to follow the playlists.

I've used a lot of streaming services over the years, and there are reasons why I've opted to build this blog around Spotify in particular.

First of all, if you're not sure how to use these playlists.. it is easy. You'll need to download and install the Spotify player. It functions much like others such as Windows Media Player or iTunes. But what is different is that it does not import and play "your" music. (Actually, there is a function to play local music files, but that's not the point.)

Rather than import "your" files, it works with the entire Spotify library, which is almost everything you could want, with a few notable hold-outs.

Once you have it up and running, the hyperlinks in my posts should take you right to the playlist, which you can then follow, or just play. If you follow a playlist, it will appear in your library, and you can take it off line, if you prefer.

Now, there is a free version, and a paid version. For the record, I use the paid version myself, and I do recommend it. However, I realize some people will not go there. No problem. You can still use the free (ad supported) version to play all of the Spunk Rock playlists. You will have advertisements in that case.

One thing I like about Spotify is that it does have a free tier. I started there myself and used it for some time before concluding that it was the right service for me. Had there been no free version, I probably would never have gotten to that conclusion. One of its best functions is sharing playlists - the modern equivalent of a mix tape. That would never work without a free version, because I could never ask people to take on a monthly payment just to hear my silly little playlists. Beyond the ads, there are other reasons to upgrade, for example, the free version does not have full functionality on a smart phone.

Spotify has been criticized by some for its free tier. Some artists choose not to put their music there, or to do so after a delay. Of course, this is their prerogative.  They are the creators. All I do is sit around and enjoy their work, and occasionally write some words about it.

But it is also our prerogative to criticize. When it comes to artists withholding from Spotify, not all are equal. For example, Spunk-Rock poster child Chantal Claret has withheld some of her tracks, because, as I understand it, the payout for artists like that is small, and it provides a legitimate way for people to get the music for free who might otherwise purchase it. In her case, I think that's fine.

But what about pop superstar Taylor Swift? She has famously taken her music off the service because (she claims) she objects to the idea that music should be free, implying this has been done on principle. I take issue with this.

Let's not forget, Taylor Swift is ridiculously over-paid as it is. She is part of the 1% of (mediocre) artists consuming 99% of music industry revenues. Keep in mind that there are serious rock-n-roll'ers out there struggling to pay the bills. I take their objections seriously.

If Taylor Swift cared about fair compensation for artists, she would not be taking a stand against Spotify, it would be against the many sites that allow music sharing with ZERO compensation for artists. Personally, I don't know how those sites work, but I'm told it can be done.

Spotify's payout for struggling artists is small. This is true. It is also true that their payout is directly proportional to the number of paid subscribers. And a good majority of their revenue goes to artists. The more people that buy in, the more dollars they pay out. That simple. So Taylor Swift could have a more positive influence by putting her music up to encourage her minions to use the service.

Purchasing discs is a thing of the past, and pay-per-download will not stand the test of time, I don't think. So you'd better start swimming or you'll sink like a stone. Streaming is the new market, and Spotify is part of the solution, not part of the problem. They provide a way to generate revenue in an era where file sharing is easy (I'm told).

Personally, I take some pride in being part of their paid subscriber base. In being one who contributes to supporting what I love.  By the way, if you are in a band and really kicking ass, I will (or already have) buy tickets and come to your show if you play within driving distance of my home town. While there, I will likely buy an overpriced T-shirt or other merch. In some cases I do this like a tip.. for kicking so much ass. But before I can come to your show, I have to hear the music and love it. And there are hundreds of new records every month. Do you really think I going to buy them all? There has to be a better way. Streaming services are it.

Now, enjoy a mixtape:
https://open.spotify.com/user/fluid3sally/playlist/3WOjwAXMdIqajy46OPuinw




Sunday, March 27, 2016

March Madness

March '16 turned out to be a fairly good month for new music. Here is a playlist with my picks.

Feel free to skip the words I write and just follow the tunes.

March 2016 playlist
https://open.spotify.com/user/fluid3sally/playlist/6llMwHgnl5szCJiRGfUIQe


Top Picks
approximate order of ass-kickery


Icon For Hire - You Can't Kill Us
This isn't a new record so much as a few singles from a new record coming this year. They have a kickstarter for the new record, and are dropping it a few tracks at a time, to be complete by the end of the year. An obvious candidate for best of 2016. Any new Icon is big news here at Spunk Rock.
These are not on Spotify and hence not on my playlist. But you can check out audio here:
https://www.youtube.com/watch?v=EzffIT79Xlo
https://www.youtube.com/watch?v=K3-CLP5zxss



Tonight Alive - Limitless
a cool band with a cool new record, one of the best so far this year. A relatively young band from Australia that has just found their voice with this release, in my opinion.
separate review here: http://joelspunkrock.blogspot.com/2016/03/new-record-tonight-alive-limitless.html


Cilver - Not the end of the world
Cilver is new to me, and appears to be new in their journey as a band, and showing a lot of potential! These songs kick ass. Throwing down some heavy riffs with great vocals. Recommended for fans of Flyleaf, The Dirty Youth, and New Years Day. From New York City with a southern Cali spunk sound.


The Joy Formidable - Hitch
TJF is a cool Welsh band that I've been listening to for some time, but this is the first time I've put in the effort to study a full record. Glad I did. Their songs take a little time to develop, but are worth it. There is something up with this record on Spotify, so I added an older one of theirs just in case.


Kung  Fu - Joyride
some good ole' jazz-funk for dat ass. play it!
check out my buddy Jack's review here: http://jackwillowbee.blogspot.com/2016/03/2016-kung-fu-joyride.html



The Struts - Everybody Wants
A promising new band from London. This guy has spunk in a throw-back glam pop-rock way. The record still sounds fresh though.This is not a typical selection for Spunk Rock; it has an area frat-guy feel that I don't usually go for. But it is among the interesting music this month nonetheless. It's getting good press, I expect we'll hear more from The Struts.


Lucius - Good Grief

A walk on the lighter side, Lucius has good song-writing with trace of oldies feel. A good listen that is not your typical NYC punk sound. Warning: some songs quite slow.



The Thermals - We Disappear
I saw the Thermals open for Sleater-Kinney is 2004. So this band has been around the sun a few times. I was never blown away by their sound, but they are pretty good. Very Portland. Recommended for fans of Dinosaur Jr and the Rondelles.



Singles refer to playlist

  • Ladyhawke
  • Summer Cannibals
  • Lizzo
  • The Nearly Deads
  • D.A.R.K.

Blues Rock
a few cool records this month with an old-school bluesy southern rock feel. One sample each on the playlist.
  • Record Company  - Give It Back To You
  • Joe Bonamassa - Blues Of Desperation
  • Jeff Healey - Heal My Soul
 

Heavy
a few more cool records this month that violate my "no screaming" policy, but still rock. worth checking out if you swing that way. One sample each on the playlist.
  • Walls Of Jericho - No One Can Save You From Yourself
  • Heck - Instructions
  • The Word Alive - Dark Matter

noteworthy
Iggy Pop - Post Pop Depression
Punk's step-father is back with something new. My reaction to this record is similar to what I said about David Bowie's Blackstar. I hope Iggy is ok.

Gwen Stefani - This is what the Truth Feels like
disappointed. separate review here
http://joelspunkrock.blogspot.com/2016/03/new-record-gwen-stefani.html

Violent Femmes - We Can Do Anything
soft and folky. some good songs, but you won't find another Blister in the Sun here.

Face to Face - Protection
one of the quintessential 80's punk bands. Not my cup of tea, but noteworthy. Recommended for fans of Social Distortion and  Pennywise



Friday, March 18, 2016

New Record - Gwen Stefani

Gwen Stefani - What the Truth Feels Like

Gwen Stefani is a pop star with "punk-ish" roots who is also a star in the spunk rock universe. She scored 51 on the ass-kicking factor..
http://joelspunkrock.blogspot.com/2016/02/top-20-bad-ass-rocknrole-models.html
..not the highest score, but among the greats. At times I've thought of her in the lineage from Marilyn Monroe to Madonna to today. I had been looking forward to this record.. it is her first in some time, and some of the early singles sounded pretty cool. well.. I was disappointed.

This record lacks luster and spunk. Most of the songs are anti-climatic and boring. Nearly every song shows promise and potential, but just never gets groovin. All the elements you would expect are there.. cool beats and tunes, nice clean vocals with her distinctive voice, catchy poppy songs. but some how, they (almost) all seem to come up lacking in follow-through


Make Me Like You was an early release. I enjoyed that when it appeared, and I was looking forward to more (hopefully better) songs. Unfortunately, this is probably the best song on the record.Red Flag has some interesting hip-hop beats and vocals. Would/could have been a cooler song with a even a slightly harder edge. There are a few other songs with some cool build-up effects and rap-like vocals such as Asking For It, Naughty, and Rocket Ship. But these songs never quite connect to the funky dance tunes that she has pulled off in the past.

There is a personal component to this record that some may appreciate, but for me it just pulls it down further. I know she has been through some issues lately, with Gavin Rosdale and all. I don't know a lot about that, and I don't want to know. I just want her to kick ass again. If she needs to write a journal entry to get it out for her own mental health - great - share it with your shrink. I sincerely wish her the best. But it is not cast her in a form of good art, but rather in the tacky form of a high-school journal keeper. The Sonic Youth song Skip Tracer comes to mind, "we watched her fall over and lay down, shouting the poetic truths of high-school journal keepers."  Good song writing often draws on personal experiences and hard-ships, I have no problem with that. But a good song takes this experience and casts in it a general form that others can relate to without having that very same experience. These songs are just too blunt lyrically, lacking the subtle craftsmanship of a good pop song. Fans of Adele and other pop light-weights may appreciate this, but I don't.

I still like me some Gwen on occasion, but I won't be play-listing any of these, except may Make Me Like You.

Tuesday, March 15, 2016

New Record: Icon for Hire - You Can't Kill Us





This is an unusual new record review because the new record is not fully available yet. As of today, there are 3 songs, one of which can be found on YouTube
https://www.youtube.com/watch?v=EzffIT79Xlo
with a total of 12 to drop by the end of the year. 

Icon for Hire are one of the definitive Spunk Rock bands. Singer Ariel was listed #3 on the top-20 bad-ass Rock'N'Role-models list,
http://joelspunkrock.blogspot.com/2016/02/top-20-bad-ass-rocknrole-models.html
And the aptly named guitar player / instrumentalist Shawn Jump would be near the top of that list also, except that I chose to focus on "front" people to keep it simple. These two embody the Spunk Rock aesthetic. Ariel is a fiery free-spirited type overflowing with spunk that erupts up through her voice. Shawn drops phatt riffs with a thunder from way up above.

Several things have changed since the previous Icon recordings, most notably the departure of their former drummer Adam. I'm not sure if there is a replacement, but it sounds like so far it has just been the two of them on these songs. I expect we'll see a touring drummer added at some point. There is something missing without Adam, the beats here are not quite as clever and it's not quite as easy to dance to these.

Here We Are has a brooding survival feel with some deep booming beats and soaring vocals. Supposed to Be has some of those phatt riffs and some of the poppy-hip-hop vocal stylings Ariel has been throwing down lately. While the older ("classic"?) Icon songs are more straight-ahead rock'n'roll, they have expanded the sound in recent years to mix rap/pop vocals and beats, and, I would say, have done so successfully. I think this gives their sound a more distinct identity and gives them opportunity to explore more interesting song compositions. This song and the next are good examples of that. Both well put together.

There is a sense of strength and independence in these songs lyrically.. the sort of strength that comes from struggle. This, I think, is what music should be, a life experience and not just a catchy tune. That said, the melodies are memorable and the song writing is strong.

So far I think this album is off to a good start and I will be looking forward to the rest of it. These are good songs with lots of feeling and good riffs. I hope future line-ups will be able to keep the funky jump-along edge we're used to.